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Devout Genji

#656ec9
Notes

Devout Genji (#656EC9) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (235°, 48%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#656ec9
RGB
rgb(101, 110, 201)
HSL
hsl(235, 48%, 59%)
HWB
hwb(235 40% 21%)
OKLCH
oklch(57.4% 0.139 276.8)
P3
color(display-p3 0.4026 0.4303 0.7645)
HSV
hsv(235, 50%, 79%)
LAB
lab(49.66% 21.56 -48.56)
LCH
lch(49.66% 53.13 293.94)
CMYK
cmyk(50%, 45%, 0%, 21%)

Etymology

Devout
adjective

From the Latin devotus, consecrated — used principally in religious contexts for the dignified deep colors of sacred art and ecclesiastical dress. As a color modifier, devout implies saturation combined with restraint: the deep blues of Marian mantles, the deep reds of cardinals' robes. Sits in the bold-and-formal corner alongside imperial.

Genji
noun

The eponymous nobleman of The Tale of Genji (Genji Monogatari, 1010 CE) by Murasaki Shikibu, whose silk-on-silk court robes were dyed in graduated layers of murasaki and aizome. Genji color refers to a layered Heian-period court robe in the kasane no irome tradition: a saturated, slightly cool deep blue-violet with the silk luster of multi-layer kasane dyeing.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#656ec9
Original
#487acc
Protanopia
#3e72c7
Deuteranopia
#3d8192
Tritanopia
#737373
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.54:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.63:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##656EC9
Display P3
Display P3
color(display-p3 0.4026 0.4303 0.7645)
P3 has subtle headroomOKLCH chroma 0.139

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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