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Pressed Aizu

#6569af
Notes

Pressed Aizu (#6569AF) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (237°, 32%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#6569af
RGB
rgb(101, 105, 175)
HSL
hsl(237, 32%, 54%)
HWB
hwb(237 40% 31%)
OKLCH
oklch(54.9% 0.108 279.7)
P3
color(display-p3 0.3989 0.4113 0.6673)
HSV
hsv(237, 42%, 69%)
LAB
lab(46.93% 16.71 -37.87)
LCH
lch(46.93% 41.39 293.81)
CMYK
cmyk(42%, 40%, 0%, 31%)

Etymology

Pressed
adjective

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Aizu
noun

Japanese feudal domain (Aizu-han) of the Edo period — a samurai region in modern Fukushima famous for aizu-momen, the indigo-dyed cotton woven by samurai-class women during the Tokugawa shogunate's lean years. Aizu color refers to a freshly aizu-momen-woven indigo cotton: a saturated, slightly cool deep blue-violet with the matte finish of multi-bath natural indigo on hand-spun cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#6569af
Original
#5072b2
Protanopia
#4c6dad
Deuteranopia
#4e7783
Tritanopia
#6d6d6d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.01:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.19:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##6569AF
Display P3
Display P3
color(display-p3 0.3989 0.4113 0.6673)
P3 has subtle headroomOKLCH chroma 0.108

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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