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Symmetrical Plumed Moss

#648e53
Notes

Symmetrical Plumed Moss (#648E53) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (103°, 26%, 44%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#648e53
RGB
rgb(100, 142, 83)
HSL
hsl(103, 26%, 44%)
HWB
hwb(103 33% 44%)
OKLCH
oklch(60.1% 0.097 137.1)
P3
color(display-p3 0.4273 0.5524 0.3501)
HSV
hsv(103, 42%, 56%)
LAB
lab(54.74% -26.05 26.91)
LCH
lch(54.74% 37.45 134.07)
CMYK
cmyk(30%, 0%, 42%, 44%)

Etymology

Symmetrical
adjective

Greek symmetría, due-proportion — adjectival suffix -al, derived from sym-metron (with-measure). As a color modifier, symmetrical implies a clear-and-balanced-and-mirrored quality where the hue carries the visual register of bilateral-or-radial proportional symmetry. Sits at the crisp-and-balanced end of the grid, parallel to balanced and aligned in usage.

Plumed
modifier

Latin plūma, feather. As a color modifier, plumed implies a feathered-and-decorative-feather quality, the visual register of Edwardian-and-Belle-Époque-plumed-hat hand-set-and-decorative ostrich-and-egret-feather Edwardian-and-Belle-Époque plumed-and-feathered-hat surfaces under Edwardian-and-Belle-Époque plumed-hat-and-feather millinery-light. Sits at the modifier-and-texture end of the grid, parallel to fluff and down in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#648e53
Original
#92854f
Protanopia
#8b8256
Deuteranopia
#638a7f
Tritanopia
#818181
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.54:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##648E53
Display P3
Display P3
color(display-p3 0.4273 0.5524 0.3501)
P3 has subtle headroomOKLCH chroma 0.097

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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