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Squared Prowl Verdigris

#62bbb3
Notes

Squared Prowl Verdigris (#62BBB3) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (175°, 40%, 56%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#62bbb3
RGB
rgb(98, 187, 179)
HSL
hsl(175, 40%, 56%)
HWB
hwb(175 38% 27%)
OKLCH
oklch(73.5% 0.087 187.8)
P3
color(display-p3 0.4716 0.7250 0.7004)
HSV
hsv(175, 48%, 73%)
LAB
lab(70.45% -28.67 -4.21)
LCH
lch(70.45% 28.97 188.36)
CMYK
cmyk(48%, 0%, 4%, 27%)

Etymology

Squared
adjective

Latin quadrātus, four-sided — past-participle of square. As a color modifier, squared implies a clear-and-rectilinear-and-orthogonal quality where the hue carries the visual register of right-angle architectural-and-grid alignment. Sits at the crisp-and-balanced end of the grid, parallel to aligned and plumb in usage.

Prowl
modifier

Middle English prollen, to-roam-and-search. As a color modifier, prowl implies a stalking-and-hunting-and-watchful quality, the visual register of panther-and-tiger-prowl hand-stalking-and-hunting-and-watchful panther-and-tiger-and-leopard prowled-and-stalking-and-hunting-and-watchful surfaces under panther-and-tiger-and-leopard jungle-and-savanna-and-night-forest big-cat-light. Sits at the modifier-and-mood end of the grid, parallel to stalk and lurk in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#62bbb3
Original
#b3b3b3
Protanopia
#a4a8b4
Deuteranopia
#34bfb8
Tritanopia
#a8a8a8
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.26:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.28:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##62BBB3
Display P3
Display P3
color(display-p3 0.4716 0.7250 0.7004)
P3 has subtle headroomOKLCH chroma 0.087

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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