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Unblemished Welsh Lagoon

#619095
Notes

Unblemished Welsh Lagoon (#619095) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (186°, 21%, 48%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#619095
RGB
rgb(97, 144, 149)
HSL
hsl(186, 21%, 48%)
HWB
hwb(186 38% 42%)
OKLCH
oklch(62.2% 0.051 204.3)
P3
color(display-p3 0.4207 0.5598 0.5802)
HSV
hsv(186, 35%, 58%)
LAB
lab(56.74% -14.53 -7.72)
LCH
lch(56.74% 16.45 207.98)
CMYK
cmyk(35%, 3%, 0%, 42%)

Etymology

Unblemished
adjective

Old French blesmir, to wound — negative-prefix un- plus past-participle of blemish. As a color modifier, unblemished implies a clear-and-flawless quality where the hue carries no defect or imperfection. Sits at the crisp-and-clean end of the grid, parallel to pristine and spotless in usage.

Welsh
modifier

Old English Wælisc, of-Wales. As a color modifier, welsh implies a Cymric-and-slate quality, the visual register of Welsh-Cymric hand-built slate-and-stone-and-Welsh-wool valley-and-mountain hand-spun-and-hand-quarried surfaces under Welsh-Cymric Snowdonia-and-Brecon-Beacons valley light. Sits at the modifier-and-cultural end of the grid, parallel to celtic and scot in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#619095
Original
#898c95
Protanopia
#808595
Deuteranopia
#4d9491
Tritanopia
#868686
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.54:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.93:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##619095
Display P3
Display P3
color(display-p3 0.4207 0.5598 0.5802)
Inside sRGBOKLCH chroma 0.051

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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