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Antiseptic Plumed Verdigris

#60c2ad
Notes

Antiseptic Plumed Verdigris (#60C2AD) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (167°, 45%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#60c2ad
RGB
rgb(96, 194, 173)
HSL
hsl(167, 45%, 57%)
HWB
hwb(167 38% 24%)
OKLCH
oklch(74.9% 0.098 177.6)
P3
color(display-p3 0.4754 0.7519 0.6811)
HSV
hsv(167, 51%, 76%)
LAB
lab(72.29% -33.96 1.75)
LCH
lch(72.29% 34.00 177.06)
CMYK
cmyk(51%, 0%, 11%, 24%)

Etymology

Antiseptic
adjective

Greek anti- (against) plus sēptikós (putrefying) — adjectival suffix -ic. As a color modifier, antiseptic implies a clear-and-disinfected-and-clinical quality, the crisp color of medical-laboratory and operating-theater hand-scrub-and-sanitizer surfaces. Sits at the crisp-and-clean end of the grid, parallel to sterile and sanitary in usage.

Plumed
modifier

Latin plūma, feather. As a color modifier, plumed implies a feathered-and-decorative-feather quality, the visual register of Edwardian-and-Belle-Époque-plumed-hat hand-set-and-decorative ostrich-and-egret-feather Edwardian-and-Belle-Époque plumed-and-feathered-hat surfaces under Edwardian-and-Belle-Époque plumed-hat-and-feather millinery-light. Sits at the modifier-and-texture end of the grid, parallel to fluff and down in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#60c2ad
Original
#bcb8ac
Protanopia
#acadaf
Deuteranopia
#31c4bc
Tritanopia
#acacac
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.14:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.82:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##60C2AD
Display P3
Display P3
color(display-p3 0.4754 0.7519 0.6811)
P3 has subtle headroomOKLCH chroma 0.098

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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