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Balanced Pang Moss

#5e8a31
Notes

Balanced Pang Moss (#5E8A31) is a true lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (90°, 48%, 37%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#5e8a31
RGB
rgb(94, 138, 49)
HSL
hsl(90, 48%, 37%)
HWB
hwb(90 19% 46%)
OKLCH
oklch(58.2% 0.129 131.6)
P3
color(display-p3 0.4061 0.5365 0.2434)
HSV
hsv(90, 64%, 54%)
LAB
lab(52.71% -30.47 41.66)
LCH
lch(52.71% 51.61 126.18)
CMYK
cmyk(32%, 0%, 64%, 46%)

Etymology

Balanced
adjective

The past participle of balance, to weigh evenly. Used as a color modifier since the eighteenth century for hues that read as neither overcommitted nor restrained. Balanced sage, balanced taupe: moderate saturation combined with optical equilibrium. Sits at the crisp-bucket center alongside even.

Pang
modifier

Middle English pang, sudden-sharp-pain. As a color modifier, pang implies a sudden-and-piercing-and-sharp quality, the visual register of Petrarchan-sonnet-and-courtly-love-pang hand-sudden-and-piercing-and-sharp Petrarchan-sonnet-and-courtly-love-and-troubadour-lyric panged-and-sudden-and-piercing-and-sharp surfaces under Petrarchan-sonnet-and-courtly-love-and-troubadour-lyric pierced-and-yearning-and-stricken candlelit-poet-light. Sits at the modifier-and-mood end of the grid, parallel to ache and throb in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#5e8a31
Original
#908026
Protanopia
#8a7d38
Deuteranopia
#5f8477
Tritanopia
#7a7a7a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.07:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.16:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##5E8A31
Display P3
Display P3
color(display-p3 0.4061 0.5365 0.2434)
P3 has subtle headroomOKLCH chroma 0.129

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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