colors
Back to gallery

Stripped Cope Moss

#5e7d2a
Notes

Stripped Cope Moss (#5E7D2A) is a deep lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (82°, 50%, 33%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#5e7d2a
RGB
rgb(94, 125, 42)
HSL
hsl(82, 50%, 33%)
HWB
hwb(82 16% 51%)
OKLCH
oklch(54.8% 0.116 127.3)
P3
color(display-p3 0.3937 0.4868 0.2146)
HSV
hsv(82, 66%, 49%)
LAB
lab(48.53% -24.77 40.31)
LCH
lch(48.53% 47.31 121.57)
CMYK
cmyk(25%, 0%, 66%, 51%)

Etymology

Stripped
adjective

Old English stripian, to strip — past-participle of strip. As a color modifier, stripped implies a clear-and-bared-and-unornamented quality, the crisp color of Cistercian-and-Bauhaus anti-ornamental stripped-down architectural interior. Sits at the crisp-and-stripped end of the grid, parallel to spare and bare in usage.

Cope
modifier

Latin cappa, long-ecclesiastical-cloak. As a color modifier, cope implies a long-ecclesiastical-cloak-and-bishop's-cope quality, the visual register of Anglican-and-Catholic-bishop's-cope hand-long-ecclesiastical-cloak-and-bishop's-cope Anglican-and-Catholic-bishop's-cope-and-Westminster-and-Vatican cope-and-long-ecclesiastical-cloak surfaces under Anglican-and-Catholic-bishop's-cope-and-Westminster-and-Vatican Westminster-Abbey-and-Sistine-Chapel ecclesiastical-cloak-light. Sits at the modifier-and-textile end of the grid, parallel to cloak and cape in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#5e7d2a
Original
#83751f
Protanopia
#7f7330
Deuteranopia
#61776c
Tritanopia
#707070
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.73:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.44:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##5E7D2A
Display P3
Display P3
color(display-p3 0.3937 0.4868 0.2146)
P3 has subtle headroomOKLCH chroma 0.116

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas