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Ironclad Spit Ultramarine

#5e7cf0
Notes

Ironclad Spit Ultramarine (#5E7CF0) is a true blue with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (228°, 83%, 65%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#5e7cf0
RGB
rgb(94, 124, 240)
HSL
hsl(228, 83%, 65%)
HWB
hwb(228 37% 6%)
OKLCH
oklch(62.2% 0.177 269.7)
P3
color(display-p3 0.3928 0.4829 0.9113)
HSV
hsv(228, 61%, 94%)
LAB
lab(55.16% 24.17 -61.77)
LCH
lch(55.16% 66.33 291.37)
CMYK
cmyk(61%, 48%, 0%, 6%)

Etymology

Ironclad
adjective

English compound iron + clad — referring to the 19th-century USS-Monitor and CSS-Virginia iron-armored warships. As a color modifier, ironclad implies a saturated-and-armored-and-impenetrable quality where the hue carries the visual weight of forged-iron armor-plate. Sits at the bold-and-fortified end of the grid, parallel to fortified and armored.

Spit
modifier

Old English spitu, narrow point of land. As a color modifier, spit implies a narrow-projection quality, the visual register of Cape-Cod-and-Spurn-Head narrow-tide-deposited sand-spit-and-shingle hand-walked coastal surfaces extending into open water. Sits at the modifier-and-place end of the grid, parallel to strand and cay in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#5e7cf0
Original
#408bf4
Protanopia
#227eee
Deuteranopia
#0097ab
Tritanopia
#7e7e7e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.62:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##5E7CF0
Display P3
Display P3
color(display-p3 0.3928 0.4829 0.9113)
P3 has subtle headroomOKLCH chroma 0.177

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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