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Inflamed Stoa Lime

#5da53f
Notes

Inflamed Stoa Lime (#5DA53F) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (102°, 45%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#5da53f
RGB
rgb(93, 165, 63)
HSL
hsl(102, 45%, 45%)
HWB
hwb(102 25% 35%)
OKLCH
oklch(65.2% 0.155 137.6)
P3
color(display-p3 0.4325 0.6401 0.3023)
HSV
hsv(102, 62%, 65%)
LAB
lab(61.30% -41.54 44.83)
LCH
lch(61.30% 61.11 132.82)
CMYK
cmyk(44%, 0%, 62%, 35%)

Etymology

Inflamed
adjective

Latin inflammātus, set on fire — past-participle of inflame. As a color modifier, inflamed implies a saturated-and-irritated-hot quality, the bright color of sun-burnt-skin and autumn-leaf high-anthocyanin pigmentation. Sits at the bright-and-warm end of the grid, parallel to fiery and flaming in usage.

Stoa
modifier

Greek stoa, Greek-colonnaded-walkway. As a color modifier, stoa implies a Greek-and-Athens-colonnaded-walkway quality, the visual register of Athenian-Stoa-of-Attalos hand-built colonnaded-walkway-and-marketplace stoa-and-arcade-and-bouleuterion classical-Greek architectural surfaces under Athenian-Stoa-of-Attalos colonnaded-walkway light. Sits at the modifier-and-architecture end of the grid, parallel to agora and forum in usage.

Lime
noun

Citrus aurantiifolia and its key-lime cousin — small, intensely sour green citrus carried by Arab traders from Southeast Asia to the Mediterranean by the eleventh century, then to the Caribbean with Columbus. The color refers to the skin of a fully ripe Persian lime: a saturated, slightly yellow-shifted green with the matte finish of citrus rind. Cooler than chartreuse, sharper than sage, with the same chlorophyll the fruit loses if left to ripen to yellow.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#5da53f
Original
#aa9834
Protanopia
#a09247
Deuteranopia
#599f8f
Tritanopia
#8e8e8e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.04:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.92:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##5DA53F
Display P3
Display P3
color(display-p3 0.4325 0.6401 0.3023)
P3 has subtle headroomOKLCH chroma 0.155

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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