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Chivalrous Uguisu

#5d9d0a
Notes

Chivalrous Uguisu (#5D9D0A) is a deep lime with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (86°, 88%, 33%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#5d9d0a
RGB
rgb(93, 157, 10)
HSL
hsl(86, 88%, 33%)
HWB
hwb(86 4% 38%)
OKLCH
oklch(62.8% 0.173 132.6)
P3
color(display-p3 0.4234 0.6094 0.1865)
HSV
hsv(86, 94%, 62%)
LAB
lab(58.47% -41.37 59.16)
LCH
lch(58.47% 72.19 124.97)
CMYK
cmyk(41%, 0%, 94%, 38%)

Etymology

Chivalrous
adjective

Old French chevaleros, knightly — adjectival suffix -ous, derived from cheval (horse). As a color modifier, chivalrous implies a saturated-and-knightly-and-gallant quality, the deep-rich color of medieval-Romance chanson-de-geste hero-and-troubadour song tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and knightly.

Uguisu
noun

Horornis diphone, the Japanese bush warbler — and the slightly muted olive-yellow of the bird's plumage. Uguisu-iro is a traditional Japanese color used in tea-ceremony pottery and fukusa silk wraps. The color refers to a fresh-molted bush warbler: a soft, slightly muted yellow-green with the matte finish of small bird feathers. Cooler than wakaba.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#5d9d0a
Original
#a49000
Protanopia
#9b8b22
Deuteranopia
#5e9685
Tritanopia
#858585
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.34:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.29:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##5D9D0A
Display P3
Display P3
color(display-p3 0.4234 0.6094 0.1865)
P3 has subtle headroomOKLCH chroma 0.173

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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