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Drawn Carved Moss

#5d862d
Notes

Drawn Carved Moss (#5D862D) is a true lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (88°, 50%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#5d862d
RGB
rgb(93, 134, 45)
HSL
hsl(88, 50%, 35%)
HWB
hwb(88 18% 47%)
OKLCH
oklch(57.1% 0.127 130.6)
P3
color(display-p3 0.3993 0.5211 0.2294)
HSV
hsv(88, 66%, 53%)
LAB
lab(51.34% -29.31 41.97)
LCH
lch(51.34% 51.19 124.93)
CMYK
cmyk(31%, 0%, 66%, 47%)

Etymology

Drawn
adjective

Old English dragan, to draw — past-participle of draw. As a color modifier, drawn implies a clear-and-line-and-mark quality, the crisp color of Old-Master-and-Modernist hand-drawn studio-and-life-class observational-drawing graphite-and-charcoal lines. Sits at the crisp-and-incised end of the grid, parallel to etched and drafted in usage.

Carved
modifier

Old English ceorfan, to-cut. As a color modifier, carved implies a hand-cut-and-shaped quality, the visual register of Romanesque-and-Gothic-stone-carving hand-cut-and-shaped stone-and-wood-and-ivory hand-carved-and-relief carved-and-shaped surfaces under Romanesque-and-Gothic hand-carved-stone-and-wood workshop-light. Sits at the modifier-and-texture end of the grid, parallel to hewn and limned in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#5d862d
Original
#8c7c22
Protanopia
#867934
Deuteranopia
#5f8074
Tritanopia
#777777
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.27:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.91:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##5D862D
Display P3
Display P3
color(display-p3 0.3993 0.5211 0.2294)
P3 has subtle headroomOKLCH chroma 0.127

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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