Heroic Carved Royal

Latin hēroicus, of a hero — derived from Greek hērōs. As a color modifier, heroic implies a saturated-and-monumental-and-victorious quality, the deep-rich color of Wagner-and-Sibelius late-Romantic-era musical-and-painterly heroic-mode. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and valiant.

Old English ceorfan, to-cut. As a color modifier, carved implies a hand-cut-and-shaped quality, the visual register of Romanesque-and-Gothic-stone-carving hand-cut-and-shaped stone-and-wood-and-ivory hand-carved-and-relief carved-and-shaped surfaces under Romanesque-and-Gothic hand-carved-stone-and-wood workshop-light. Sits at the modifier-and-texture end of the grid, parallel to hewn and limned in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.