Inviting Mistral Verdigris

Latin invītāre, to invite — present-participle of invite. As a color modifier, inviting implies a clear-and-cordial-and-encouraging quality where the hue carries the visual register of warm-inviting-and-encouraging entrance-foyer color tone. Sits at the crisp-and-cheerful end of the grid, parallel to welcoming and hospitable in usage.

Provençal mistral, cold-northwest-wind-of-Provence. As a color modifier, mistral implies a cold-Provençal-and-Rhône-Valley-wind quality, the visual register of Provençal-and-Rhône-Valley-mistral hand-cold-Provençal-and-Rhône-Valley-wind Provençal-and-Rhône-Valley-mistral-and-Alpilles mistral-and-cold-Provençal-and-Rhône-Valley-wind surfaces under Provençal-and-Rhône-Valley-mistral-and-Alpilles Avignon-and-Saint-Rémy-and-Camargue cold-Rhône-Valley-wind-light. Sits at the modifier-and-weather end of the grid, parallel to sirocco and gust in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.