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Settled Hover Lagoon

#5ab6d4
Notes

Settled Hover Lagoon (#5AB6D4) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (195°, 59%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#5ab6d4
RGB
rgb(90, 182, 212)
HSL
hsl(195, 59%, 59%)
HWB
hwb(195 35% 17%)
OKLCH
oklch(73.2% 0.097 222.0)
P3
color(display-p3 0.4457 0.7054 0.8182)
HSV
hsv(195, 58%, 83%)
LAB
lab(69.74% -18.77 -23.41)
LCH
lch(69.74% 30.01 231.28)
CMYK
cmyk(58%, 14%, 0%, 17%)

Etymology

Settled
adjective

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Hover
modifier

Middle English hoveren, to-remain-suspended. As a color modifier, hover implies a suspended-and-floating-and-hesitant quality, the visual register of kestrel-and-hummingbird-hover hand-suspended-and-floating-and-hesitant kestrel-and-hummingbird-and-dragonfly hovered-and-suspended-and-floating-and-hesitant surfaces under kestrel-and-hummingbird-and-dragonfly heat-shimmer-and-summer-meadow-and-cliff-edge mid-air-light. Sits at the modifier-and-mood end of the grid, parallel to float and flit in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#5ab6d4
Original
#a4b2d6
Protanopia
#93a5d4
Deuteranopia
#00c0bf
Tritanopia
#a5a5a5
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.31:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.08:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##5AB6D4
Display P3
Display P3
color(display-p3 0.4457 0.7054 0.8182)
P3 has subtle headroomOKLCH chroma 0.097

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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