Trim Akoya
Trim Akoya (#5A8A8B) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (181°, 21%, 45%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English trymman, to make firm — sharing root with firm. As a color modifier, trim implies a clear-and-neatly-arranged quality where the hue carries the visual register of carefully-edited surface-detail. Sits at the crisp-and-neat end of the grid, parallel to neat and tidy in usage.
The Japanese saltwater pearl — produced by Pinctada fucata martensii, the small pearl oyster of southern Japanese coastal waters. Akoya pearls have the iridescent pale blue-cream color characteristic of Japanese pearl tradition. The color refers to a strand of Akoya pearls: a soft, slightly cool pale blue with the iridescent satin finish of marine nacre.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.