Etched Procyon Verdigris

German ätzen, to etch — past-participle of etch. As a color modifier, etched implies a clear-and-precisely-incised quality, the crisp color of Rembrandt-and-Dürer hand-pulled etching-print fine-line incised-image. Sits at the crisp-and-incised end of the grid, parallel to engraved and inscribed in usage.

Greek προκύων, before-the-dog. As a color modifier, procyon implies a Canis-Minor-and-bright-foretaste-of-Sirius quality, the visual register of Canis-Minor-Procyon-and-Winter-Triangle hand-Canis-Minor-and-bright-foretaste-of-Sirius Canis-Minor-Procyon-and-Winter-Triangle-and-Bortle-1-sky procyon-and-Canis-Minor-and-bright-foretaste surfaces under Canis-Minor-Procyon-and-Winter-Triangle-and-Bortle-1-sky January-and-February-winter-zenith winter-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to rigel and altair in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.