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Settled Unda Turquoise

#57dfc7
Notes

Settled Unda Turquoise (#57DFC7) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (169°, 68%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#57dfc7
RGB
rgb(87, 223, 199)
HSL
hsl(169, 68%, 61%)
HWB
hwb(169 34% 13%)
OKLCH
oklch(82.3% 0.123 179.3)
P3
color(display-p3 0.4949 0.8632 0.7828)
HSV
hsv(169, 61%, 87%)
LAB
lab(81.25% -42.55 0.79)
LCH
lch(81.25% 42.55 178.94)
CMYK
cmyk(61%, 0%, 11%, 13%)

Etymology

Settled
adjective

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Unda
modifier

Latin unda, wave-or-water. As a color modifier, unda implies a Latin-wave-and-water-and-Roman-aqueduct quality, the visual register of Roman-aqueduct-and-Pontine-marsh-unda hand-Latin-wave-and-water-and-Roman-aqueduct Roman-aqueduct-and-Pontine-marsh-unda-and-Tiber-flow unda-and-Latin-wave-and-water surfaces under Roman-aqueduct-and-Pontine-marsh-unda-and-Tiber-flow Aqua-Claudia-and-Aqua-Marcia Roman-water-light. Sits at the modifier-and-Latin end of the grid, parallel to via and arbor in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#57dfc7
Original
#d6d2c6
Protanopia
#c2c4c9
Deuteranopia
#00e2d8
Tritanopia
#c0c0c0
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.64:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.79:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##57DFC7
Display P3
Display P3
color(display-p3 0.4949 0.8632 0.7828)
P3 has subtle headroomOKLCH chroma 0.123

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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