Folded Thor Verdigris

Old English fealdan, to fold — past-participle of fold. As a color modifier, folded implies a clear-and-creased-and-arranged quality where the hue carries the visual register of carefully-folded-and-neatly-arranged textile surface. Sits at the crisp-and-finished end of the grid, parallel to pressed and trim in usage.

Old Norse Þórr, god-of-thunder-and-Mjölnir. As a color modifier, thor implies a hammer-Mjölnir-and-thunderbolt-and-red-bearded quality, the visual register of Norse-Thor-and-Mjölnir-hammer hand-hammer-Mjölnir-and-thunderbolt-and-red-bearded Norse-Thor-and-Mjölnir-hammer-and-Asgard thor-and-hammer-Mjölnir-and-thunderbolt surfaces under Norse-Thor-and-Mjölnir-hammer-and-Asgard Bilskirnir-and-Thrudheim-and-thunder-cart thunder-storm-light. Sits at the modifier-and-myth end of the grid, parallel to odin and loki in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.