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Abundant Banafsheh

#5762f2
Notes

Abundant Banafsheh (#5762F2) is a true blue with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (236°, 86%, 65%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#5762f2
RGB
rgb(87, 98, 242)
HSL
hsl(236, 86%, 65%)
HWB
hwb(236 34% 5%)
OKLCH
oklch(57.2% 0.213 274.2)
P3
color(display-p3 0.3493 0.3830 0.9158)
HSV
hsv(236, 64%, 95%)
LAB
lab(48.47% 39.52 -73.73)
LCH
lch(48.47% 83.65 298.19)
CMYK
cmyk(64%, 60%, 0%, 5%)

Etymology

Abundant
adjective

Latin abundāre, to overflow — present-participle of abound. As a color modifier, abundant implies a saturated-and-plentiful quality where the hue carries surplus visual richness beyond minimum requirement. Sits at the bold-and-saturated end of the grid, parallel to plentiful and bountiful.

Banafsheh
noun

Persian بنفشه, the Viola odorata sweet violet — the diminutive of banafsh, used for the flower itself rather than the color. Banafsheh is a stock floral motif in Iranian poetry (Hafez, Rumi) symbolizing transient beauty. Banafsheh color refers to a freshly opened Viola odorata petal: a saturated, slightly cool deep blue-violet with the velvet finish of a fresh viola petal.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#5762f2
Original
#007af7
Protanopia
#006cef
Deuteranopia
#0086a1
Tritanopia
#6a6a6a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.43:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##5762F2
Display P3
Display P3
color(display-p3 0.3493 0.3830 0.9158)
P3 has visible headroomOKLCH chroma 0.213

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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