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Conquering Genji

#575cb5
Notes

Conquering Genji (#575CB5) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (237°, 39%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#575cb5
RGB
rgb(87, 92, 181)
HSL
hsl(237, 39%, 53%)
HWB
hwb(237 34% 29%)
OKLCH
oklch(51.6% 0.138 278.0)
P3
color(display-p3 0.3448 0.3602 0.6873)
HSV
hsv(237, 52%, 71%)
LAB
lab(42.79% 23.23 -48.03)
LCH
lch(42.79% 53.35 295.82)
CMYK
cmyk(52%, 49%, 0%, 29%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Genji
noun

The eponymous nobleman of The Tale of Genji (Genji Monogatari, 1010 CE) by Murasaki Shikibu, whose silk-on-silk court robes were dyed in graduated layers of murasaki and aizome. Genji color refers to a layered Heian-period court robe in the kasane no irome tradition: a saturated, slightly cool deep blue-violet with the silk luster of multi-layer kasane dyeing.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#575cb5
Original
#3369b8
Protanopia
#2961b3
Deuteranopia
#2f6f80
Tritanopia
#616161
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.83:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.60:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##575CB5
Display P3
Display P3
color(display-p3 0.3448 0.3602 0.6873)
P3 has subtle headroomOKLCH chroma 0.138

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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