Direct Faun Verdigris

From the Latin directus, straight — used as a color modifier since the eighteenth century for hues that read as straightforward and unambiguous. Direct red, direct green: moderate-to-high saturation combined with optical clarity. Sits at the crisp-bucket center alongside clear and frank.

Latin Faunus, Roman-half-goat-rural-deity. As a color modifier, faun implies a half-goat-and-pastoral-and-Arcadian quality, the visual register of Roman-Faunus-and-Arcadian-pastoral-faun hand-half-goat-and-pastoral-and-Arcadian Roman-Faunus-and-Arcadian-pastoral-faun-and-Pan faun-and-half-goat-and-pastoral-and-Arcadian surfaces under Roman-Faunus-and-Arcadian-pastoral-faun-and-Pan Lupercalia-and-Arcadia-and-pipes-of-Pan pastoral-Arcadian-light. Sits at the modifier-and-myth end of the grid, parallel to satyr and dryad in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.