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Brimming Oxford

#567df5
Notes

Brimming Oxford (#567DF5) is a true blue with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (225°, 89%, 65%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#567df5
RGB
rgb(86, 125, 245)
HSL
hsl(225, 89%, 65%)
HWB
hwb(225 34% 4%)
OKLCH
oklch(62.3% 0.185 267.3)
P3
color(display-p3 0.3702 0.4861 0.9299)
HSV
hsv(225, 65%, 96%)
LAB
lab(55.31% 23.90 -64.32)
LCH
lch(55.31% 68.62 290.38)
CMYK
cmyk(65%, 49%, 0%, 4%)

Etymology

Brimming
adjective

Old English brymme, brim / edge — present-participle of brim. As a color modifier, brimming implies a saturated-and-overflowing quality where the hue spills past the edge of its visual container with rich pigmentation. Sits at the bold-and-saturated end of the grid, parallel to replete and abundant.

Oxford
noun

The athletic blue of the University of Oxford — adopted alongside Cambridge's lighter blue in the 1820s, when the two universities first began racing crews against each other on the Thames. The color refers to an Oxford-blue rowing jersey: a saturated, slightly muted deep blue with the matte finish of melton wool. Deeper than navy, cooler than royal, with the rivalrous heraldic weight of a color paired with its institutional opposite.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#567df5
Original
#3a8cf9
Protanopia
#087ef3
Deuteranopia
#0099ad
Tritanopia
#7d7d7d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.72:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.65:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##567DF5
Display P3
Display P3
color(display-p3 0.3702 0.4861 0.9299)
P3 has visible headroomOKLCH chroma 0.185

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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