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Clean Salve Turquoise

#55dbcb
Notes

Clean Salve Turquoise (#55DBCB) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (173°, 65%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#55dbcb
RGB
rgb(85, 219, 203)
HSL
hsl(173, 65%, 60%)
HWB
hwb(173 33% 14%)
OKLCH
oklch(81.4% 0.119 184.2)
P3
color(display-p3 0.4851 0.8477 0.7957)
HSV
hsv(173, 61%, 86%)
LAB
lab(80.12% -40.10 -2.99)
LCH
lch(80.12% 40.21 184.27)
CMYK
cmyk(61%, 0%, 7%, 14%)

Etymology

Clean
adjective

Old English clǣne, pure, free of dirt — used as a color modifier since the medieval period for hues that read as crisp and uncontaminated by other pigments. Clean white, clean blue: moderate saturation combined with optical clarity. Sits at the crisp-bucket center alongside clear and true.

Salve
modifier

Latin salve, hail-or-be-well. As a color modifier, salve implies a Latin-greeting-and-Salve-Regina-and-Roman-salute quality, the visual register of Salve-Regina-and-Pompeii-salve hand-Latin-greeting-and-Salve-Regina-and-Roman-salute Salve-Regina-and-Pompeii-salve-and-Roman-doormat-mosaic salve-and-Latin-greeting surfaces under Salve-Regina-and-Pompeii-salve-and-Roman-doormat-mosaic Pompeian-mosaic-and-Marian-antiphon Roman-greeting-light. Sits at the modifier-and-Latin end of the grid, parallel to ave and pax in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#55dbcb
Original
#d1cfca
Protanopia
#bdc0cd
Deuteranopia
#00dfd6
Tritanopia
#bdbdbd
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.70:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.38:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##55DBCB
Display P3
Display P3
color(display-p3 0.4851 0.8477 0.7957)
P3 has subtle headroomOKLCH chroma 0.119

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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