Stately Pitted Ultramarine

An adjectival form of state, condition of dignity. Used as a color modifier since the seventeenth century for the deep saturated jewel tones of formal ceremony — the deep blue of a robes-of-state, the deep red of a state-banquet velvet. Sits in the bold-and-formal corner alongside imperial and royal, with slightly less institutional weight.

Old English pyt, pit / hole. As a color modifier, pitted implies a small-hole-and-mark-pattern quality, the visual register of worn-and-pitted-stone-and-leather hand-worn-and-pitted stone-and-leather-and-metal worn-and-pitted-mark-and-hole surfaces under worn-and-pitted-stone-and-leather aged light. Sits at the modifier-and-texture end of the grid, parallel to mossed and limed in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.