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Chivalrous Sumi

#554adb
Notes

Chivalrous Sumi (#554ADB) is a true blue with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (245°, 67%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#554adb
RGB
rgb(85, 74, 219)
HSL
hsl(245, 67%, 57%)
HWB
hwb(245 29% 14%)
OKLCH
oklch(51.2% 0.212 279.2)
P3
color(display-p3 0.3262 0.2918 0.8275)
HSV
hsv(245, 66%, 86%)
LAB
lab(41.12% 46.01 -72.72)
LCH
lch(41.12% 86.06 302.32)
CMYK
cmyk(61%, 66%, 0%, 14%)

Etymology

Chivalrous
adjective

Old French chevaleros, knightly — adjectival suffix -ous, derived from cheval (horse). As a color modifier, chivalrous implies a saturated-and-knightly-and-gallant quality, the deep-rich color of medieval-Romance chanson-de-geste hero-and-troubadour song tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and knightly.

Sumi
noun

Japanese ink stick, made from soot of pine resin or sesame oil mixed with animal-glue binder, used in sumi-e brush painting and shodō calligraphy. Although nominally black, undiluted sumi on rice paper carries a deep blue-violet undertone. Sumi color refers to a heavily-loaded sumi brushstroke: a saturated, slightly cool deep blue-violet with the matte finish of pine-soot ink on absorbent washi.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#554adb
Original
#0067df
Protanopia
#005bd8
Deuteranopia
#00708c
Tritanopia
#575757
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.20:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.39:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##554ADB
Display P3
Display P3
color(display-p3 0.3262 0.2918 0.8275)
P3 has visible headroomOKLCH chroma 0.212

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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