Pleasant Creep Turquoise

From the French plaisant, pleasing — used as a color modifier since the fifteenth century for hues that read as agreeable, the kind of color that wears well over a long viewing without becoming demanding or fatiguing. Pleasant green, pleasant rose: moderate saturation combined with optical comfort. Sits at the crisp-bucket alongside easy and calm.

Old English crēopan, to-move-slowly. As a color modifier, creep implies a slow-stealthy-and-spreading quality, the visual register of ivy-on-wall-and-mist-creep hand-slow-stealthy-and-spreading ivy-on-wall-and-mist-creep-and-spreading-shadow crept-and-slow-stealthy-and-spreading surfaces under ivy-on-wall-and-mist-creep-and-spreading-shadow ruined-cloister-and-river-valley-and-evening-meadow encroaching-light. Sits at the modifier-and-mood end of the grid, parallel to lurk and prowl in usage.

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.