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Level Arch Turquoise

#549cb2
Notes

Level Arch Turquoise (#549CB2) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (194°, 38%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#549cb2
RGB
rgb(84, 156, 178)
HSL
hsl(194, 38%, 51%)
HWB
hwb(194 33% 30%)
OKLCH
oklch(65.4% 0.079 220.0)
P3
color(display-p3 0.3987 0.6050 0.6879)
HSV
hsv(194, 53%, 70%)
LAB
lab(60.67% -16.31 -18.36)
LCH
lch(60.67% 24.56 228.38)
CMYK
cmyk(53%, 12%, 0%, 30%)

Etymology

Level
adjective

Latin libella, small-balance / level-tool — sharing root with libra (balance). As a color modifier, level implies a clear-and-horizontal-true quality where the hue carries the visual register of gravity-perpendicular-and-perfectly-horizontal surface. Sits at the crisp-and-balanced end of the grid, parallel to plumb and flat in usage.

Arch
modifier

Latin arcus, bow / curve. As a color modifier, arch implies a Roman-and-Gothic-and-Romanesque-vault quality, the visual register of Roman-aqueduct-and-Romanesque-cathedral hand-cut stone-and-brick voussoir-and-keystone arch-and-vault architectural surfaces under monumental architecture light. Sits at the modifier-and-architecture end of the grid, parallel to dome and vault in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#549cb2
Original
#8e98b3
Protanopia
#808eb2
Deuteranopia
#12a3a3
Tritanopia
#8e8e8e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.10:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##549CB2
Display P3
Display P3
color(display-p3 0.3987 0.6050 0.6879)
Inside sRGBOKLCH chroma 0.079

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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