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Inscribed Mongol Verdigris

#53afa1
Notes

Inscribed Mongol Verdigris (#53AFA1) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (171°, 37%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#53afa1
RGB
rgb(83, 175, 161)
HSL
hsl(171, 37%, 51%)
HWB
hwb(171 33% 31%)
OKLCH
oklch(69.4% 0.091 182.3)
P3
color(display-p3 0.4199 0.6780 0.6319)
HSV
hsv(171, 53%, 69%)
LAB
lab(65.80% -30.85 -1.17)
LCH
lch(65.80% 30.87 182.18)
CMYK
cmyk(53%, 0%, 8%, 31%)

Etymology

Inscribed
adjective

Latin īnscrībere, to write upon — past-participle of inscribe. As a color modifier, inscribed implies a clear-and-text-or-pattern-cut quality, the crisp color of Roman-Imperial-period monumental-stone inscription-and-monumental-text incised-relief. Sits at the crisp-and-incised end of the grid, parallel to etched and engraved in usage.

Mongol
modifier

Mongolian Mongɣol, Mongol. As a color modifier, mongol implies a steppe-and-Khanate quality, the visual register of Mongol-Khanate-of-Genghis Central-Asian steppe-Empire hand-built ger-and-mounted-cavalry-and-felt-rug-and-Khan-court surfaces under Karakorum-and-Mongolian-steppe Khanate-and-mounted-cavalry open-sky light. Sits at the modifier-and-cultural end of the grid, parallel to tatar and hun in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#53afa1
Original
#a8a6a1
Protanopia
#999ba2
Deuteranopia
#1db2ab
Tritanopia
#9a9a9a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.62:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.01:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##53AFA1
Display P3
Display P3
color(display-p3 0.4199 0.6780 0.6319)
P3 has subtle headroomOKLCH chroma 0.091

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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