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Straightforward Salve Verdigris

#52dbba
Notes

Straightforward Salve Verdigris (#52DBBA) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (166°, 66%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#52dbba
RGB
rgb(82, 219, 186)
HSL
hsl(166, 66%, 59%)
HWB
hwb(166 32% 14%)
OKLCH
oklch(80.8% 0.128 174.0)
P3
color(display-p3 0.4790 0.8476 0.7352)
HSV
hsv(166, 63%, 86%)
LAB
lab(79.61% -44.85 5.31)
LCH
lch(79.61% 45.16 173.25)
CMYK
cmyk(63%, 0%, 15%, 14%)

Etymology

Straightforward
adjective

English compound straight + forward — sharing root with German geradeaus. As a color modifier, straightforward implies a clear-and-direct-and-unencumbered quality where the hue carries the visual register of clear-aim-and-uncomplicated character. Sits at the crisp-and-honest end of the grid, parallel to candid and direct in usage.

Salve
modifier

Latin salve, hail-or-be-well. As a color modifier, salve implies a Latin-greeting-and-Salve-Regina-and-Roman-salute quality, the visual register of Salve-Regina-and-Pompeii-salve hand-Latin-greeting-and-Salve-Regina-and-Roman-salute Salve-Regina-and-Pompeii-salve-and-Roman-doormat-mosaic salve-and-Latin-greeting surfaces under Salve-Regina-and-Pompeii-salve-and-Roman-doormat-mosaic Pompeian-mosaic-and-Marian-antiphon Roman-greeting-light. Sits at the modifier-and-Latin end of the grid, parallel to ave and pax in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#52dbba
Original
#d4ceb8
Protanopia
#c0bfbc
Deuteranopia
#00ddd1
Tritanopia
#bbbbbb
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.72:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.20:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##52DBBA
Display P3
Display P3
color(display-p3 0.4790 0.8476 0.7352)
P3 has subtle headroomOKLCH chroma 0.128

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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