Engraved Glide Verdigris

Old French engraver, to dig in — past-participle of engrave. As a color modifier, engraved implies a clear-and-precisely-cut quality, the crisp color of Albrecht-Dürer-and-Hogarth hand-pulled engraving-print fine-line incised-image. Sits at the crisp-and-incised end of the grid, parallel to etched and inscribed in usage.

Old English glīdan, to-move-smoothly. As a color modifier, glide implies a smooth-and-silent-and-frictionless quality, the visual register of swan-and-skater-glide hand-smooth-and-silent-and-frictionless swan-and-skater-and-soaring-albatross glided-and-smooth-and-silent-and-frictionless surfaces under swan-and-skater-and-soaring-albatross frozen-pond-and-Hyde-Park-Serpentine-and-open-ocean smooth-flight-light. Sits at the modifier-and-mood end of the grid, parallel to float and hover in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.