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Disciplined Khmer Verdigris

#51ab74
Notes

Disciplined Khmer Verdigris (#51AB74) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (143°, 36%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#51ab74
RGB
rgb(81, 171, 116)
HSL
hsl(143, 36%, 49%)
HWB
hwb(143 32% 33%)
OKLCH
oklch(67.1% 0.120 154.6)
P3
color(display-p3 0.4100 0.6625 0.4730)
HSV
hsv(143, 53%, 67%)
LAB
lab(63.45% -39.69 20.33)
LCH
lch(63.45% 44.59 152.88)
CMYK
cmyk(53%, 0%, 32%, 33%)

Etymology

Disciplined
adjective

Latin disciplīna, teaching / training — past-participle of discipline. As a color modifier, disciplined implies a clear-and-controlled-and-careful quality where the hue carries the visual register of careful-edited-and-restrained design-decision. Sits at the crisp-and-orderly end of the grid, parallel to methodical and orderly in usage.

Khmer
modifier

Sanskrit Khmer, Cambodian. As a color modifier, khmer implies an Angkorian-and-temple-complex quality, the visual register of Angkor-Wat-and-Bayon Khmer-Empire hand-built sandstone-and-laterite temple-and-jungle-overgrown-stonework surfaces under Angkor-Wat-and-Bayon Cambodian-jungle-canopy filtered tropical light. Sits at the modifier-and-cultural end of the grid, parallel to toltec and median in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#51ab74
Original
#ab9f71
Protanopia
#9e9677
Deuteranopia
#39a99d
Tritanopia
#949494
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.83:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.43:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##51AB74
Display P3
Display P3
color(display-p3 0.4100 0.6625 0.4730)
P3 has subtle headroomOKLCH chroma 0.120

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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