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Saturated Mast Indigo

#505cf9
Notes

Saturated Mast Indigo (#505CF9) is a true blue with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (236°, 93%, 65%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#505cf9
RGB
rgb(80, 92, 249)
HSL
hsl(236, 93%, 65%)
HWB
hwb(236 31% 2%)
OKLCH
oklch(56.3% 0.230 273.0)
P3
color(display-p3 0.3227 0.3593 0.9413)
HSV
hsv(236, 68%, 98%)
LAB
lab(47.23% 44.48 -79.68)
LCH
lch(47.23% 91.26 299.17)
CMYK
cmyk(68%, 63%, 0%, 2%)

Etymology

Saturated
adjective

From the Latin saturatus, past participle of saturare, to fill. A technical color term in modern usage — saturation is one of the three axes of HSL (with hue and lightness). As a modifier, saturated implies that the hue is at or near its maximum chromatic intensity. Sits at the bold-and-bright top of the grid.

Mast
modifier

Old English mæst, long-pole. As a color modifier, mast implies a tall-pole-with-sails quality, the visual register of Tall-Ship-and-Royal-Navy-Mast hand-rigged tall-mast-with-sail-and-yard tall-ship-and-frigate maritime-architecture surfaces under tall-ship-mast-and-yard maritime-overhead light. Sits at the modifier-and-nautical end of the grid, parallel to spar and boom in usage.

Indigo
noun

Indigofera tinctoria, the South Asian legume whose leaves yield the deep blue dye that has clothed humanity for at least four thousand years — Egyptian linen, Mayan textile, the slave-grown plantations of Carolina. The color refers to a freshly indigo-dyed cotton thread: a saturated, slightly violet-shifted deep blue with the slight lustre of a fiber surface oxidized in air. Deeper than cobalt, cooler than royal.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#505cf9
Original
#0078fe
Protanopia
#0068f6
Deuteranopia
#0085a2
Tritanopia
#656565
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.95:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.24:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##505CF9
Display P3
Display P3
color(display-p3 0.3227 0.3593 0.9413)
P3 has visible headroomOKLCH chroma 0.230

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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