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Opulent Lazurite

#505abc
Notes

Opulent Lazurite (#505ABC) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (234°, 45%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#505abc
RGB
rgb(80, 90, 188)
HSL
hsl(234, 45%, 53%)
HWB
hwb(234 31% 26%)
OKLCH
oklch(51.2% 0.152 275.3)
P3
color(display-p3 0.3211 0.3517 0.7130)
HSV
hsv(234, 57%, 74%)
LAB
lab(42.23% 25.32 -53.04)
LCH
lch(42.23% 58.78 295.52)
CMYK
cmyk(57%, 52%, 0%, 26%)

Etymology

Opulent
adjective

Latin opulentus, rich / wealthy — derived from ops (wealth). As a color modifier, opulent implies a saturated-and-luxurious quality, the deep-rich color of Belle-Époque and Gilded-Age interior-decoration silk-and-velvet textiles. Sits at the bold-and-saturated end of the grid, parallel to lavish and sumptuous.

Lazurite
noun

The principal mineral of lapis lazuli — a sodium-aluminum sulfate-silicate from the Sar-e-Sang mines in Badakhshan province of northeastern Afghanistan, the Renaissance source for ultramarine pigment. Lazurite color refers to a freshly cut Sar-e-Sang lapis face showing the central lazurite nucleus: a saturated, slightly cool deep blue-violet with the matte finish of pyrite-flecked lazurite ore.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#505abc
Original
#2368bf
Protanopia
#095fba
Deuteranopia
#0a7082
Tritanopia
#5f5f5f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.95:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.53:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##505ABC
Display P3
Display P3
color(display-p3 0.3211 0.3517 0.7130)
P3 has subtle headroomOKLCH chroma 0.152

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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