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Mired Jambū

#502c83
Notes

Mired Jambū (#502C83) is a deep indigo with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (265°, 50%, 34%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#502c83
RGB
rgb(80, 44, 131)
HSL
hsl(265, 50%, 34%)
HWB
hwb(265 17% 49%)
OKLCH
oklch(38.7% 0.140 298.7)
P3
color(display-p3 0.2943 0.1793 0.4954)
HSV
hsv(265, 66%, 51%)
LAB
lab(27.15% 35.90 -43.01)
LCH
lch(27.15% 56.03 309.85)
CMYK
cmyk(39%, 66%, 0%, 49%)

Etymology

Mired
adjective

Old Norse mýrr, mire / bog — past-participle of mire. As a color modifier, mired implies the deep-and-stuck-and-warm-brown quality of bog-and-peat-and-marsh-mud-immersion, like a Yorkshire-Moors hiker's boots after a rainy day on the saturated peat. Sits at the deep-and-warm end of the grid, parallel to peat-stained with earthy register.

Jambū
noun

Sanskrit जम्बू, the rose-apple (Syzygium jambos) — the eponymous fruit of Jambūdvīpa, the Continent of the Jambu Tree in Hindu and Buddhist cosmology, and a stock floral motif in Sanskrit poetry. Jambū color refers to a freshly cut Syzygium jambos drupe: a saturated, slightly cool deep violet with the matte finish of anthocyanin-rich fruit-flesh on the cut surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#502c83
Original
#004086
Protanopia
#003f81
Deuteranopia
#444053
Tritanopia
#3a3a3a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
10.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.03:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##502C83
Display P3
Display P3
color(display-p3 0.2943 0.1793 0.4954)
P3 has subtle headroomOKLCH chroma 0.140

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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