Bright Vela Malachite
Bright Vela Malachite (#4FF29C) is a true teal with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (148°, 86%, 63%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English beorht, shining, luminous — cognate with the German Bracht, splendor. Applied to color since at least the medieval period for hues that read as luminous: not just light in value but optically active, as if scattering more light back than a dimmer color of the same lightness would. Sits at the bright-bucket center alongside vivid and brilliant.
Latin vela, sails-of-the-Argo. As a color modifier, vela implies a southern-hemisphere-and-Argo-sail-and-supernova-remnant quality, the visual register of Vela-supernova-remnant-and-Argo-sails hand-southern-hemisphere-and-Argo-sail-and-supernova-remnant Vela-supernova-remnant-and-Argo-sails-and-southern-Milky-Way vela-and-southern-hemisphere-and-Argo-sail surfaces under Vela-supernova-remnant-and-Argo-sails-and-southern-Milky-Way Southern-Cross-and-southern-zenith southern-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to cygnus and draco in usage.
A copper carbonate mineral — Cu₂CO₃(OH)₂ — that crystallizes as concentric green bands in oxidized copper deposits. Mined for ornamental stone since ancient Egypt, ground into pigment for medieval European painting, polished into the malachite columns of the Russian Hermitage. The color refers to a polished cabochon: a saturated, slightly muted green with the high shine of stone and the visible banding of growth rings.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.