colors
Back to gallery

Mapped Zeus Teal

#4fd6e1
Notes

Mapped Zeus Teal (#4FD6E1) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (185°, 71%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4fd6e1
RGB
rgb(79, 214, 225)
HSL
hsl(185, 71%, 60%)
HWB
hwb(185 31% 12%)
OKLCH
oklch(80.8% 0.116 202.8)
P3
color(display-p3 0.4657 0.8282 0.8733)
HSV
hsv(185, 65%, 88%)
LAB
lab(79.15% -32.78 -16.21)
LCH
lch(79.15% 36.57 206.31)
CMYK
cmyk(65%, 5%, 0%, 12%)

Etymology

Mapped
adjective

Latin mappa, cloth / napkin — past-participle of map. As a color modifier, mapped implies a clear-and-cartographic-and-surveyed quality, the crisp color of Ordnance-Survey-and-USGS scientific-and-cadastral cartographic-and-topographic mapping-and-projection. Sits at the crisp-and-mapped end of the grid, parallel to plotted and surveyed in usage.

Zeus
modifier

Greek Ζεύς, king-of-the-Olympian-gods. As a color modifier, zeus implies a thunderbolt-and-king-of-gods-and-Olympian quality, the visual register of Olympian-Zeus-and-Phidias-Pheidias-statue hand-thunderbolt-and-king-of-gods-and-Olympian Olympian-Zeus-and-Phidias-statue-and-Mount-Olympus zeus-and-thunderbolt-and-king-of-gods-and-Olympian surfaces under Olympian-Zeus-and-Phidias-statue-and-Mount-Olympus Pheidias-chryselephantine-and-Olympia thunder-cloud-light. Sits at the modifier-and-myth end of the grid, parallel to hera and atlas in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4fd6e1
Original
#c6cde2
Protanopia
#b0bde2
Deuteranopia
#00ded9
Tritanopia
#bababa
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.04:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4FD6E1
Display P3
Display P3
color(display-p3 0.4657 0.8282 0.8733)
P3 has subtle headroomOKLCH chroma 0.116

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas