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Orderly Bow Verdigris

#4fbdb4
Notes

Orderly Bow Verdigris (#4FBDB4) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (175°, 45%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4fbdb4
RGB
rgb(79, 189, 180)
HSL
hsl(175, 45%, 53%)
HWB
hwb(175 31% 26%)
OKLCH
oklch(73.3% 0.101 187.8)
P3
color(display-p3 0.4297 0.7318 0.7040)
HSV
hsv(175, 58%, 74%)
LAB
lab(70.42% -33.37 -4.88)
LCH
lch(70.42% 33.73 188.31)
CMYK
cmyk(58%, 0%, 5%, 26%)

Etymology

Orderly
adjective

Latin ōrdō, order — adjectival suffix -ly. As a color modifier, orderly implies a clear-and-arranged-and-organized quality where the hue carries the visual register of carefully-ordered-and-classified placement. Sits at the crisp-and-orderly end of the grid, parallel to methodical and organized in usage.

Bow
modifier

Old Norse bógr, bow / shoulder. As a color modifier, bow implies a ship's-front-prow quality, the visual register of Royal-Navy-and-merchant-marine-bow hand-built ship's-front-prow-and-figurehead bow-and-cutwater maritime-architecture surfaces under ship's-front-bow-and-prow maritime-headway light. Sits at the modifier-and-nautical end of the grid, parallel to prow and hull in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4fbdb4
Original
#b4b4b4
Protanopia
#a2a7b5
Deuteranopia
#00c1ba
Tritanopia
#a5a5a5
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.27:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4FBDB4
Display P3
Display P3
color(display-p3 0.4297 0.7318 0.7040)
P3 has subtle headroomOKLCH chroma 0.101

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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