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Methodical Frieze Verdigris

#4fb9b5
Notes

Methodical Frieze Verdigris (#4FB9B5) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (178°, 43%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4fb9b5
RGB
rgb(79, 185, 181)
HSL
hsl(178, 43%, 52%)
HWB
hwb(178 31% 27%)
OKLCH
oklch(72.3% 0.097 191.8)
P3
color(display-p3 0.4242 0.7164 0.7064)
HSV
hsv(178, 57%, 73%)
LAB
lab(69.25% -31.20 -7.16)
LCH
lch(69.25% 32.01 192.92)
CMYK
cmyk(57%, 0%, 2%, 27%)

Etymology

Methodical
adjective

Greek méthodos, systematic-procedure — adjectival suffix -al. As a color modifier, methodical implies a clear-and-systematic-and-step-by-step quality where the hue carries the visual register of careful-procedure-followed design-element. Sits at the crisp-and-orderly end of the grid, parallel to orderly and organized in usage.

Frieze
modifier

Old French frise, band-of-decoration. As a color modifier, frieze implies a horizontal-decorative-band quality, the visual register of Greek-Parthenon-and-Roman-Imperial-frieze hand-carved Doric-and-Ionic-and-Corinthian classical-decorative-frieze architectural surfaces under classical-frieze decorative-band light. Sits at the modifier-and-architecture end of the grid, parallel to eave and plinth in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4fb9b5
Original
#afb0b5
Protanopia
#9ea4b6
Deuteranopia
#00beb7
Tritanopia
#a2a2a2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4FB9B5
Display P3
Display P3
color(display-p3 0.4242 0.7164 0.7064)
P3 has subtle headroomOKLCH chroma 0.097

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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