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Tough Page Ultramarine

#4f7de0
Notes

Tough Page Ultramarine (#4F7DE0) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (221°, 70%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4f7de0
RGB
rgb(79, 125, 224)
HSL
hsl(221, 70%, 59%)
HWB
hwb(221 31% 12%)
OKLCH
oklch(60.6% 0.159 263.6)
P3
color(display-p3 0.3504 0.4855 0.8515)
HSV
hsv(221, 65%, 88%)
LAB
lab(53.72% 15.56 -55.19)
LCH
lch(53.72% 57.34 285.75)
CMYK
cmyk(65%, 44%, 0%, 12%)

Etymology

Tough
adjective

Old English tōh, firm / tenacious — sharing root with German zäh. As a color modifier, tough implies a saturated-and-resilient quality where the hue resists fading-and-modulation through its strong pigmentation. Sits at the bold-and-resilient end of the grid, parallel to rugged and hardy in usage.

Page
modifier

Old French page, young-attendant. As a color modifier, page implies a court-and-knight's-young-attendant quality, the visual register of English-and-French-Court-Page hand-stitched livery-and-tabard-and-page-cap court-and-knight's-young-attendant surfaces under English-and-French-Court-Page hand-stitched livery-and-tabard ceremonial-court light. Sits at the modifier-and-cultural end of the grid, parallel to knight and squire in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4f7de0
Original
#4d87e4
Protanopia
#357ade
Deuteranopia
#0094a3
Tritanopia
#7a7a7a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.93:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.34:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4F7DE0
Display P3
Display P3
color(display-p3 0.3504 0.4855 0.8515)
P3 has subtle headroomOKLCH chroma 0.159

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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Canvas