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Heavy Edo

#4f30ac
Notes

Heavy Edo (#4F30AC) is a true indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (255°, 56%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4f30ac
RGB
rgb(79, 48, 172)
HSL
hsl(255, 56%, 43%)
HWB
hwb(255 19% 33%)
OKLCH
oklch(42.7% 0.185 287.2)
P3
color(display-p3 0.2924 0.1937 0.6493)
HSV
hsv(255, 72%, 67%)
LAB
lab(31.24% 45.28 -61.44)
LCH
lch(31.24% 76.33 306.39)
CMYK
cmyk(54%, 72%, 0%, 33%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Edo
noun

The Tokugawa shogunate's capital (1603–1867), now Tokyo — and the period when aizome indigo dyeing democratized to commoners under sumptuary laws restricting brighter colors to the daimyo class. Edo color refers to an Edo-komon indigo-dyed cotton: a saturated, slightly cool deep blue-violet with the matte finish of fermentation-vat aizome dye on commoner cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4f30ac
Original
#004cb0
Protanopia
#0046aa
Deuteranopia
#29516b
Tritanopia
#404040
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
8.93:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.35:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4F30AC
Display P3
Display P3
color(display-p3 0.2924 0.1937 0.6493)
P3 has visible headroomOKLCH chroma 0.185

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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