colors
Back to gallery

Disciplined Mater Verdigris

#4ebeb1
Notes

Disciplined Mater Verdigris (#4EBEB1) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (173°, 46%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4ebeb1
RGB
rgb(78, 190, 177)
HSL
hsl(173, 46%, 53%)
HWB
hwb(173 31% 25%)
OKLCH
oklch(73.4% 0.103 184.7)
P3
color(display-p3 0.4290 0.7356 0.6936)
HSV
hsv(173, 59%, 75%)
LAB
lab(70.61% -34.82 -2.96)
LCH
lch(70.61% 34.95 184.86)
CMYK
cmyk(59%, 0%, 7%, 25%)

Etymology

Disciplined
adjective

Latin disciplīna, teaching / training — past-participle of discipline. As a color modifier, disciplined implies a clear-and-controlled-and-careful quality where the hue carries the visual register of careful-edited-and-restrained design-decision. Sits at the crisp-and-orderly end of the grid, parallel to methodical and orderly in usage.

Mater
modifier

Latin mater, mother. As a color modifier, mater implies a Latin-mother-and-Stabat-Mater-and-Madonna quality, the visual register of Stabat-Mater-and-Pietà-mater hand-Latin-mother-and-Stabat-Mater-and-Madonna Stabat-Mater-and-Pietà-mater-and-Marian-iconography mater-and-Latin-mother surfaces under Stabat-Mater-and-Pietà-mater-and-Marian-iconography Roman-and-Counter-Reformation Madonna-iconographic-light. Sits at the modifier-and-Latin end of the grid, parallel to pater and amor in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4ebeb1
Original
#b5b4b1
Protanopia
#a4a7b2
Deuteranopia
#00c2ba
Tritanopia
#a5a5a5
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.32:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4EBEB1
Display P3
Display P3
color(display-p3 0.4290 0.7356 0.6936)
P3 has subtle headroomOKLCH chroma 0.103

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas