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Healthful Peplos Verdigris

#4eb9ac
Notes

Healthful Peplos Verdigris (#4EB9AC) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (173°, 43%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4eb9ac
RGB
rgb(78, 185, 172)
HSL
hsl(173, 43%, 52%)
HWB
hwb(173 31% 27%)
OKLCH
oklch(72.0% 0.100 184.4)
P3
color(display-p3 0.4220 0.7163 0.6741)
HSV
hsv(173, 58%, 73%)
LAB
lab(68.96% -33.79 -2.63)
LCH
lch(68.96% 33.89 184.46)
CMYK
cmyk(58%, 0%, 7%, 27%)

Etymology

Healthful
adjective

Old English hǣlth, health — adjectival suffix -ful. As a color modifier, healthful implies a clear-and-vital-and-wholesome quality where the hue carries the visual register of fresh-air-and-sunlight outdoor health-promoting environment. Sits at the crisp-and-wholesome end of the grid, parallel to salubrious and wholesome in usage.

Peplos
modifier

Greek πέπλος, Hellenic-women's-robe. As a color modifier, peplos implies a Hellenic-women's-peplos-and-pinned-shoulder quality, the visual register of Hellenic-peplos-and-Athena-Parthenos hand-Hellenic-women's-peplos-and-pinned-shoulder Hellenic-peplos-and-Athena-Parthenos-and-Panathenaic-festival peplos-and-Hellenic-women's-peplos surfaces under Hellenic-peplos-and-Athena-Parthenos-and-Panathenaic-festival Athenian-Acropolis-and-Panathenaic-procession Hellenic-court-light. Sits at the modifier-and-textile end of the grid, parallel to chiton and tunic in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4eb9ac
Original
#b1afac
Protanopia
#a0a3ad
Deuteranopia
#00bdb5
Tritanopia
#a1a1a1
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.86:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4EB9AC
Display P3
Display P3
color(display-p3 0.4220 0.7163 0.6741)
P3 has subtle headroomOKLCH chroma 0.100

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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