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Organized Ruri

#4e98d2
Notes

Organized Ruri (#4E98D2) is a true azure with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (206°, 59%, 56%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4e98d2
RGB
rgb(78, 152, 210)
HSL
hsl(206, 59%, 56%)
HWB
hwb(206 31% 18%)
OKLCH
oklch(65.7% 0.114 244.5)
P3
color(display-p3 0.3787 0.5892 0.8041)
HSV
hsv(206, 63%, 82%)
LAB
lab(60.54% -5.34 -36.55)
LCH
lch(60.54% 36.94 261.68)
CMYK
cmyk(63%, 28%, 0%, 18%)

Etymology

Organized
adjective

Greek órganon, instrument / tool — past-participle of organize. As a color modifier, organized implies a clear-and-coordinated-and-systematic quality where the hue carries the visual register of well-coordinated-and-classified arrangement. Sits at the crisp-and-orderly end of the grid, parallel to orderly and methodical in usage.

Ruri
noun

The Japanese name for lapis lazuli — used since the Heian period for the deep blue of carved Buddhist altar ornament and the imported pigment of Japanese Buddhist painting. Ruri-iro (瑠璃色) names a saturated dark blue distinct from ai-iro. The color refers to a polished Japanese-cut lapis cabochon: a saturated, slightly cool deep blue with the matte finish of fine lapis.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4e98d2
Original
#7e99d5
Protanopia
#6c8cd1
Deuteranopia
#00a6ac
Tritanopia
#8c8c8c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.11:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.75:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4E98D2
Display P3
Display P3
color(display-p3 0.3787 0.5892 0.8041)
P3 has subtle headroomOKLCH chroma 0.114

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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