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Reposeful Vale Verdigris

#4db9ab
Notes

Reposeful Vale Verdigris (#4DB9AB) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (172°, 44%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4db9ab
RGB
rgb(77, 185, 171)
HSL
hsl(172, 44%, 51%)
HWB
hwb(172 30% 27%)
OKLCH
oklch(71.9% 0.101 183.6)
P3
color(display-p3 0.4198 0.7163 0.6706)
HSV
hsv(172, 58%, 73%)
LAB
lab(68.91% -34.24 -2.17)
LCH
lch(68.91% 34.31 183.63)
CMYK
cmyk(58%, 0%, 8%, 27%)

Etymology

Reposeful
adjective

Latin repōnere, to put back — adjectival suffix -ful. As a color modifier, reposeful implies a clear-and-restful-and-still quality, the calm color of pre-modern monastic cloister-and-refectory meditative-and-silent interior architecture. Sits at the crisp-and-calm end of the grid, parallel to peaceful and placid in usage.

Vale
modifier

Latin vallis, valley. As a color modifier, vale implies a broad-pastoral-valley quality, the visual register of Cotswold-and-Yorkshire-Dales wide river-valley pasture-and-hedgerow agricultural surfaces in spring-and-autumn pastoral-and-overcast English afternoon-light. Sits at the modifier-and-place end of the grid, parallel to glen and dale in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4db9ab
Original
#b1afab
Protanopia
#a0a3ac
Deuteranopia
#00bcb5
Tritanopia
#a1a1a1
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.84:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4DB9AB
Display P3
Display P3
color(display-p3 0.4198 0.7163 0.6706)
P3 has subtle headroomOKLCH chroma 0.101

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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