Pressed Pelt Verdigris

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Old French pellete, small-skin. As a color modifier, pelt implies a fur-with-skin-and-hide quality, the visual register of fur-trapper-and-Hudson-Bay-Pelt hand-trapped-and-skinned beaver-and-otter-and-mink hand-trapped-fur-pelt-and-hide surfaces under Hudson-Bay-and-fur-trapper hand-trapped pelt-and-hide trading-post light. Sits at the modifier-and-texture end of the grid, parallel to hide and fur in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.