Heavy Wake Royal

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Old English wacian, to be awake. As a color modifier, wake implies a morning-rising-and-dawn quality, the visual register of first-light-and-dawn-rising atmospheric soft-low-light Rayleigh-scattered first-of-the-day pre-dawn-and-dawn surfaces under first-light dawn-rising light. Sits at the modifier-and-time end of the grid, parallel to rise and morn in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.