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Ironclad Sumi

#4d5bba
Notes

Ironclad Sumi (#4D5BBA) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (232°, 44%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4d5bba
RGB
rgb(77, 91, 186)
HSL
hsl(232, 44%, 52%)
HWB
hwb(232 30% 27%)
OKLCH
oklch(51.0% 0.149 273.6)
P3
color(display-p3 0.3126 0.3552 0.7055)
HSV
hsv(232, 59%, 73%)
LAB
lab(42.16% 23.43 -51.99)
LCH
lch(42.16% 57.03 294.25)
CMYK
cmyk(59%, 51%, 0%, 27%)

Etymology

Ironclad
adjective

English compound iron + clad — referring to the 19th-century USS-Monitor and CSS-Virginia iron-armored warships. As a color modifier, ironclad implies a saturated-and-armored-and-impenetrable quality where the hue carries the visual weight of forged-iron armor-plate. Sits at the bold-and-fortified end of the grid, parallel to fortified and armored.

Sumi
noun

Japanese ink stick, made from soot of pine resin or sesame oil mixed with animal-glue binder, used in sumi-e brush painting and shodō calligraphy. Although nominally black, undiluted sumi on rice paper carries a deep blue-violet undertone. Sumi color refers to a heavily-loaded sumi brushstroke: a saturated, slightly cool deep blue-violet with the matte finish of pine-soot ink on absorbent washi.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4d5bba
Original
#2868bd
Protanopia
#105fb8
Deuteranopia
#007182
Tritanopia
#5f5f5f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.96:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.52:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4D5BBA
Display P3
Display P3
color(display-p3 0.3126 0.3552 0.7055)
P3 has subtle headroomOKLCH chroma 0.149

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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