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Pellucid Twine Verdigris

#4c8879
Notes

Pellucid Twine Verdigris (#4C8879) is a true teal with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (165°, 28%, 42%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4c8879
RGB
rgb(76, 136, 121)
HSL
hsl(165, 28%, 42%)
HWB
hwb(165 30% 47%)
OKLCH
oklch(58.1% 0.067 175.8)
P3
color(display-p3 0.3544 0.5275 0.4768)
HSV
hsv(165, 44%, 53%)
LAB
lab(52.42% -23.33 1.97)
LCH
lch(52.42% 23.42 175.16)
CMYK
cmyk(44%, 0%, 11%, 47%)

Etymology

Pellucid
adjective

Latin pellūcidus, transparent — derived from per-lūcēre (to shine through). As a color modifier, pellucid implies a clear-and-translucent quality where the hue reads with optical clarity and minimal turbidity. Sits at the crisp-and-clear end of the grid, parallel to lucid and translucent in usage.

Twine
modifier

Old English twīn, double-thread. As a color modifier, twine implies a hand-twisted-string quality, the visual register of hand-twisted-and-laid-twine hand-twisted-and-laid string-and-twine-and-cord hand-twisted-twine-and-cord surfaces under hand-twisted-and-laid-twine working light. Sits at the modifier-and-texture end of the grid, parallel to cord and twined in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4c8879
Original
#848178
Protanopia
#7a7a7a
Deuteranopia
#378983
Tritanopia
#7a7a7a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.11:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.11:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4C8879
Display P3
Display P3
color(display-p3 0.3544 0.5275 0.4768)
Inside sRGBOKLCH chroma 0.067

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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