Pressed Gnome Verdigris

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Latin gnomus, earth-elemental-of-Paracelsus. As a color modifier, gnome implies an earth-elemental-and-subterranean-and-mining quality, the visual register of Paracelsian-gnome-and-Alpine-mining-folk hand-earth-elemental-and-subterranean-and-mining Paracelsian-gnome-and-Alpine-mining-folk-and-Renaissance-occult gnome-and-earth-elemental-and-subterranean surfaces under Paracelsian-gnome-and-Alpine-mining-folk-and-Renaissance-occult Alpine-mountain-and-mine-shaft underground-elemental-light. Sits at the modifier-and-myth end of the grid, parallel to sprite and pixie in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.